The Cocoon Series


Inspiration: 
The Cocoon Series

In all life forms, there are incubatory stages. This stage in all evolution is akin to a hibernating period for species in creation. They hibernate to grow, to transform and gain strength. It is the admittance of a fresh power wave to the cocooned specie, into a new mode and forms and the consequent strengthening of the original core to a finer and nobler state.

The essential factors and necessity of cocoons as life shelters, has not yet been properly identified and penetrated upon in its deeper meaning and significance as a prerequisite to growth and sustenance. Their meanings and reasons lie much deeper than the surface appearances.

We can see the characteristics of cocoons in their vast forms and adaptation and receptiveness as an existential nucleus to all development; hence the earth as a cocoon harbours various species and life forms. Mothers carry their babies in the womb, another cocoon. Birds build their nests as a cocoon. All eggs in their various forms are cocooned life-forms. We live in houses to cocoon us in rest and rejuvenation. Plants protect their tender parts in a cocoon. Insects metamorphose from cocoons. All these are languages that speak eloquently about this singular phenomenon.
Clockwise from Left: Earth; Weaver Bird Nest; Womb; Eggs: House: Flower Bud; Insect Cocoons
The question posed therefore will be, can the state of a cocoon determine the form of the creatures or species dwelling within it? Could it also be said, that the trapped potential energies inherent in each form of cocoon has a magnetizing effect on its inhabitants and consequently propels their growth and maturity?  Or can it be said that the active potentials of the creatures or species habiting a cocoon is decisive through the emanatations, either furthering values or disintegrating effects through their activities, which can either ennoble or weaken, and creates disintegrating radiations.

Therefore, the need for a proper understanding of the symbiotic relationship between the combination of the emanation of the cocoon’s radiation should equal the total force of ground radiation of the species and creatures living within it, bringing about a balanced equilibrium and harmony. Any one-sidedness would lead to an upset which shows itself in conflict and crisis as can be observed in the many upheavals on earth today.

This symbiotic relationship given, propels the motion and the development of all forms, either to a beautiful nobler state or to an ugly depreciating state. Therefore the core of the cocoon is a mixture of the emanating radiations between the cocoon and her species. Each creature learns to adapt to the conditions apparent in the cocoon and in its transformation through usage, similarly sends out a well-balanced exchange thereby creating a propelling up-building energy. This hibernating state which all creatures are compelled to experience as a necessity to their growth is akin to a schooling period in adaptation and sustenance.

All the creatures see the habitation as a training ground for the development of their potentials  and also as an addition to their well-being, an awareness as an active  part of the fructifying motion in their surroundings and upon themselves, which  are  then ennobled.

No wonder then, that the Monarch Butterfly in its unfolding, acquires so much beauty. Such beauty can only be gained through a conscious harmony. Hence, birth and death, the opposite poles in life cycles, are transformational stages in the epochal development of man.
Monarch Butterfly
The Cocoon Series came out of these observations of a quest to unravel the mystery of the cocoon as a core filled with potentials that creates sparks to animate and ennoble.

Light illuminates and creates beauty. Remarkably, cocoons harbor light sparks which are potential energies. Their emissions are subtle and calm.

The cocoon-like designs tries to mimic these semblances transformed through the use of natural materials from my immediate surroundings.

These lamps were made by careful observation of different cocoons made by insects. The materials are bio-degradable - abundant in my environment are reeds and bamboos, twigs, leaves and straws. These are transformed to simulate the effect of cocoons in their varied pupae stages. The species determines the design of the cocoons, a reflection of their qualities.
 
 
 Beauty in Diversity: Insect Cocoons

The lamps are a combination of strips of Date Palm bamboo sticks formed in a network of mesh overlaid with soft tissue paper to create semblances that mimics cocoons. The forms are adapted into varied shapes and suspended by woven raffia ropes, which gives it an ethnic feel that does not belie its contemporariness.

Charles Okereke, 2013
Artist/Designer